One of the few artists still earnestly committed to an ideal of grand spectacle, Takashi Makino crafts all-over abstractions that are uniquely overwhelming. Here, color provides the shape, tracing an arc through oscillating fields of mottled not-objective imagery as they modulate steadily from cool blues, purples, and greens into hotter and drier reds, pinks, oranges, and browns, and then back to the initial shades. The score, a deep and unnerving arrangement of processed field recordings by Lasse Marhaug and the great Lawrence English, seems to confirm that the sense of climate catastrophe which emerges isn’t incidental