MultiTwo explores the interplay between construction and deconstruction through interwoven visual and sonic systems. The work builds a minimal architecture of symmetry, rhythm, and signal, only to gradually erode its coherence through shifts, pulses, and interference. Image and sound act as structural elements, assembling a perceptual framework that slowly slips, fractures, and reshapes itself.

Rather than narrating or illustrating, MultiTwo operates as a feedback system where form, pattern, and texture falter and recombine. It reflects on how perception is not fixed but constantly reorganized by the very structures we rely on to make sense of space, rhythm, and time. Sound and image do not simply accompany one another; they function as a shared architecture, generating resonance across sensory modes. The familiar is quietly undone by what pulses just beneath its surface.

Here, the visual field is not a backdrop but a perceptual structure that mirrors the recursive logic of feedback and signal. Like the noise that animates it, the image destabilizes familiarity through repetition and minor variation. Together, sound and video behave as parallel transmissions, tuning the viewer into thresholds where perception slips, rewires, and expands.

MultiTwo invites the viewer into a space where sound is not only heard, but felt, experienced as a resonant, material phenomenon that unsettles, reorders, and reorients the senses.