Lensed with the fuzzy-edged resolution and smeary vibrancy of early-2000s standard-definition video, Tulapop Saenjaroen’s film blends family drama, process documentary, and narratological meditation through the story of a man named Earth, his sister Ink, and their family business, a mangosteen-processing factory. Disagreeing with Ink on the nature of the future, Earth embarks on a project of his own: to investigate the nature of fabulation and the transmutation of the material world into new stories and new images.